Tears welling up and weeping is not the easiest emotion that a man can express and when the raison d’etre for the tears is a movie, it becomes even more difficult to justify (if there was ever a need to). Aamir Khan’s directorial debut Taare Zameen Par accomplishes this rather effortlessly without too much of a melodrama but with a kind of sensitivity not seen in the recent past.
The movie takes us through the heart of a child suffering from dyslexia and succeeds where Monsieur Bhansali fails. It creates a world familiar to us, which we can relate to unlike Black which exists in its own self-indulgent vacuum. The images of a paint drop falling on Ishaan’s face, the dogs sleeping on his lap and the everyday sights of the world look so beautiful through the eyes of the young boy.
TZP deals with the life and tribulations of Ishaan Awasthi, fondly called Eno by his family. He’s a dreamer, with no sense of time, who lives in his own world inhabited by nature and its glorious manifestations. He is a regular kid who fights off bullies; bunks school and spends a great deal of his time day-dreaming.
Initially, we do not realize that anything is amiss and relate his behaviour to his age and innocence. He’s sent to a boarding school where he goes into his shell further till his disability is finally discovered by an Art teacher in his school, Ramkumar Nikumbh, played by Aamir Khan. The teacher then works to put him back on track.
The movie practically lives through the child’s eyes as he struggles to find meaning in the numbers and syllables drilled through his mind. He needs to not only satisfy his parental aspirations but also work around with his disability. Parental obsession with their children’s performance is only a symptom of this larger malice- where result is the only thing that matters. Only the exceptional ones are required, the rest of us remain people on the fringe without any voice.
The kid Darsheel Safarey is absolutely wonderful as he portrays the everyday kid we are familiar with and not the irritatingly cute kid in movies who tries his best to get on our nerves. His name appears first when the credits start rolling and his performance justifies that.
Aamir as Nikumbh Sir sports a spunky hairstyle and performs admirably, with just the right amount of restraint.(Let me concede that when I saw the Khan in the movie, I wondered how much we was being paid for such a job; shit, he can’t live so comfortably in Mumbai working only as an Arts School. Agreed that’s a cruel thought in the midst of all this but I could not stop myself!!!). The father remains a bit of a stereotype but Tisca Chopra as the mother fits the bill pleasantly well only to be ignored in the second half.
TZP sees Aamir as a very sensitive person; his tears well up just a bit too frequently in the movie. Is it because society has taught us that it’s not manliness to shed tears that many in the theatre felt disconcerting to see Aamir’s tears?
His characterization was a revelation; the protagonist is shown as a very soft-natured guy whose heart pains to see the struggles of a child and who has less control over his emotions when compared to the average hero. I always did think of Aamir as a Method Actor who thinks primarily from his brain; but this movie comes straight from the heart, not just the head and you actually feel for it.
A special mention about the music. Shankar, Ehsaan, Loy and Prasoon Joshi have done a wonderful job in delivering compositions that go along with the feel of the movie. The music has a soft, lilting presence which gives it a beautiful feel. Music has been used liberally in the movie but in no way does it manage to slow down the proceedings.
But there are areas that you wish Aamir could have plugged in, so that the movie could have been even better. The parental interactions in the second half are strangely muted. Ishaan’s mother has sacrificed her career to take care of her kids and is shown to be very sensitive to her children’s needs but even after realizing that her son has a learning disorder, all she manages to do is a Google search on dyslexia.
Was it the Actor Vs the Director clash that caused Aamir Khan to take over the role of the parents too and reduce their role to mere bystanders whose only involvement with their son is to collect his progress report?
Would it not have been better if Aamir had also tried to put in a parental point of view and not paint them in black and put all the blame squarely on them. Yes, they play a pivotal role in shaping the future of their children but trying to understand them would also have helped.
For all the pains that Aamir takes to showcase Ishaan’s difficulties, his progress takes place just a bit too fast, all in the pace of a song. Even the ending has its share of melodrama but even if it were only melodrama I would not have an issue. Instead, it requires Ishaan to take part in a competition and win the first prize to regain his esteem.
After all the bravado about parental mentality and rat-race, it is a bit unfair that Ishaan has to succeed in another rat race to redeem himself. Every child is special, so any need to actually outdo others and prove his specialty?
Most characters in TZP act as caricatures but I’m willing to buy that illustration. Maybe that’s how little Ishaan looks at the world. His perception about himself drives others to look at him similarly. At the end, Ishaan stumbles as he walks to receive the prize; does this suggest that he still is dependent on Aamir?
Nevertheless, the movie worked for me at different levels and not just the parental-child angle. It also talked about listening to one’s dreams as well as one’s inner feelings. The movie is not just for kids and carries a message for all of us.
We have forgotten to admire the small beauties that nature showers us daily with but take it for granted. The fluttering of a butterfly, the rhythm of a fish, the gentle waft of the breeze and its goose pimples are no longer important to us. What is important to us is our obsession with targets and timelines; so much so that we do not have even the time to feel happy about completing our targets.
Every child is indeed special!!! Thanks, Aamir for displaying the guts to break all conventions and make such a beautifully sensitive movie…………
The movie takes us through the heart of a child suffering from dyslexia and succeeds where Monsieur Bhansali fails. It creates a world familiar to us, which we can relate to unlike Black which exists in its own self-indulgent vacuum. The images of a paint drop falling on Ishaan’s face, the dogs sleeping on his lap and the everyday sights of the world look so beautiful through the eyes of the young boy.
TZP deals with the life and tribulations of Ishaan Awasthi, fondly called Eno by his family. He’s a dreamer, with no sense of time, who lives in his own world inhabited by nature and its glorious manifestations. He is a regular kid who fights off bullies; bunks school and spends a great deal of his time day-dreaming.
Initially, we do not realize that anything is amiss and relate his behaviour to his age and innocence. He’s sent to a boarding school where he goes into his shell further till his disability is finally discovered by an Art teacher in his school, Ramkumar Nikumbh, played by Aamir Khan. The teacher then works to put him back on track.
The movie practically lives through the child’s eyes as he struggles to find meaning in the numbers and syllables drilled through his mind. He needs to not only satisfy his parental aspirations but also work around with his disability. Parental obsession with their children’s performance is only a symptom of this larger malice- where result is the only thing that matters. Only the exceptional ones are required, the rest of us remain people on the fringe without any voice.
The kid Darsheel Safarey is absolutely wonderful as he portrays the everyday kid we are familiar with and not the irritatingly cute kid in movies who tries his best to get on our nerves. His name appears first when the credits start rolling and his performance justifies that.
Aamir as Nikumbh Sir sports a spunky hairstyle and performs admirably, with just the right amount of restraint.(Let me concede that when I saw the Khan in the movie, I wondered how much we was being paid for such a job; shit, he can’t live so comfortably in Mumbai working only as an Arts School. Agreed that’s a cruel thought in the midst of all this but I could not stop myself!!!). The father remains a bit of a stereotype but Tisca Chopra as the mother fits the bill pleasantly well only to be ignored in the second half.
TZP sees Aamir as a very sensitive person; his tears well up just a bit too frequently in the movie. Is it because society has taught us that it’s not manliness to shed tears that many in the theatre felt disconcerting to see Aamir’s tears?
His characterization was a revelation; the protagonist is shown as a very soft-natured guy whose heart pains to see the struggles of a child and who has less control over his emotions when compared to the average hero. I always did think of Aamir as a Method Actor who thinks primarily from his brain; but this movie comes straight from the heart, not just the head and you actually feel for it.
A special mention about the music. Shankar, Ehsaan, Loy and Prasoon Joshi have done a wonderful job in delivering compositions that go along with the feel of the movie. The music has a soft, lilting presence which gives it a beautiful feel. Music has been used liberally in the movie but in no way does it manage to slow down the proceedings.
But there are areas that you wish Aamir could have plugged in, so that the movie could have been even better. The parental interactions in the second half are strangely muted. Ishaan’s mother has sacrificed her career to take care of her kids and is shown to be very sensitive to her children’s needs but even after realizing that her son has a learning disorder, all she manages to do is a Google search on dyslexia.
Was it the Actor Vs the Director clash that caused Aamir Khan to take over the role of the parents too and reduce their role to mere bystanders whose only involvement with their son is to collect his progress report?
Would it not have been better if Aamir had also tried to put in a parental point of view and not paint them in black and put all the blame squarely on them. Yes, they play a pivotal role in shaping the future of their children but trying to understand them would also have helped.
For all the pains that Aamir takes to showcase Ishaan’s difficulties, his progress takes place just a bit too fast, all in the pace of a song. Even the ending has its share of melodrama but even if it were only melodrama I would not have an issue. Instead, it requires Ishaan to take part in a competition and win the first prize to regain his esteem.
After all the bravado about parental mentality and rat-race, it is a bit unfair that Ishaan has to succeed in another rat race to redeem himself. Every child is special, so any need to actually outdo others and prove his specialty?
Most characters in TZP act as caricatures but I’m willing to buy that illustration. Maybe that’s how little Ishaan looks at the world. His perception about himself drives others to look at him similarly. At the end, Ishaan stumbles as he walks to receive the prize; does this suggest that he still is dependent on Aamir?
Nevertheless, the movie worked for me at different levels and not just the parental-child angle. It also talked about listening to one’s dreams as well as one’s inner feelings. The movie is not just for kids and carries a message for all of us.
We have forgotten to admire the small beauties that nature showers us daily with but take it for granted. The fluttering of a butterfly, the rhythm of a fish, the gentle waft of the breeze and its goose pimples are no longer important to us. What is important to us is our obsession with targets and timelines; so much so that we do not have even the time to feel happy about completing our targets.
Every child is indeed special!!! Thanks, Aamir for displaying the guts to break all conventions and make such a beautifully sensitive movie…………