23 years
after we saw CP struggle to make it big in the world of construction contract business
in Vellanakalude Nadu, Ranjith takes us to the world of JP – Jayaprakash
(Prithviraj), who along with his friend CH (Tini Tom) try to establish
themselves in the cut throat competition of real estate brokerage business. The
landscape has changed across two decades, the stakes are much higher and the
money involved runs into crores (cr as referred to in the movie). The movie is
not about land corruption (something that Ividam Swargamanu focused on) but
more on the desire of middle class youth who try to become rich and make it big
in life in quick time.
JP and CH
run a small time broker agency in a run-down office near Palayam vegetable market in Kozhikode. They are small time folks primarily acting as sub-brokers in
the city, under the aegis of bigger players like Rayan and Joy. The commissions
that they receive for the deals that they receive are meager and they dream to
make it big one day. JP believes that his
luck has changed when Achutha Menon (Thilakan), an old man appoints them as
brokers to sell his property. The deal goes down the drain but Achutha Menon
stays back with them and advises them as they pocket their first real income
after arm-twisting a client. Through a mega deal with Gold Pappan, they aim for
the sky but the spiraling circular flow of crores and its effects makes them
realize the folly of their actions.
Indian
Rupee has a free-flowing script and keeps you entertained throughout and there isn’t
a dull moment anywhere in the movie. The satire crackles throughout and the
references to public entities (Shashi Tharoor, ICICI) and incidents throughout make it
easy to relate to it (though I did think the reference to Pranchiyettan was a bit contrived). There is an underlying social commentary on religion, land
politics, black money, NRIs and old age which is thankfully not preachy but
engages us at different levels. Conceptually, the movie acts as a prequel to Pranchiyettan since the primary objective is making money, either by hook or crook - social respect would only be next on the agenda.
Ranjith
shifts the plot from Thrissur in his last movie to his home town Kozhikode here
and the dialect plays an important role in bringing life to the city. We are
able to relate to all the characters and realize that this story could just
have happened in our neighbourhood. The world and lingo of real estate is
brought very close to us and we see the amount of money that is floating around
which could have been frightening, if it were not entertaining. He does not
show any form of corruption which is high in this sector but I guess there is
an underlying assumption, even acceptance, that when vast sums of money crosses
hands, some of the palms need greasing and so there is no need perse to show
it.
JP is a
likeable character whom you root for even though he is devoid of scruples. He
is willing to arm-twist a client into making money, pay off company agents to
get deals and even get involved in fake money to pursue his dreams. At a
personal level, he shirks responsibility back at home by fleeing home when
people come to see his sister and has borrowed money from his mother but sunk
the money. But Ranjith still presents him as a struggler who needs to do all
this to survive in the tough world and the question of right and wrong are not
so important – maybe it’s to do with the world that we now live in that we
empathize with this character. Maybe it explains why we empathized with CP and
wished he followed the right path but we accept JP and want him to succeed.
Prithviraj carries the role with aplomb and fully justifies the faith that Ranjith
reposes on him –a role that will be noticed after his act in Vaasthavam.
Achutha
Menon’s character confused me a bit as I tried to understand what exactly
Ranjith wanted to convey through him. He is an intellectual who’s bitter with
all the –isms of the times that he has lived in and finds himself at the
crossroads of his life with no support with him. He advises JP and CH in their
deal to ‘threaten’ their client and himself tries to cheat his son by selling
their house but the need for money is provided as a justification for his actions.
Ranjith probably envisioned him as a sort of conscience keeper for JP as he
attempts his dealings but am not very clear about this.
While
Achutha Menon’s intervention in JPs house ensures a dowry-free marriage for his
sister (in a tad preachy sequence), this is the only act that gives him that
halo – otherwise, he remains just an old man who tries his best to keep his
family afloat. Similarly the usage of the Gandhi bhajan Vaishnav Jan to Tene
Kahiye attempts to create a moral aura that does not exist. He is an important character, no doubt, in the plot but it looks as if a few critics have given him a greater relevance in the movie than can be understood.
Glad to
see Thilakan on screen after a long time and I hope we see more of him now,
especially in these times when Malayalam cinema has been losing its great artists regularly. His presence
adds solidity and earnestness to the character and when JP asks him the question Evada
aayirunnu ithrim nallu, Ranjith prompts us to put this question to Thilakan. Jagathy as Gold Pappan is a scene stealer (think he is the first
choice for directors who create odd ball characters now) in his cameo as a
spend thrift millionaire while Tini Tom needs to thanks Ranjith for discovering him
as an actor and he picks up from where he stopped in Pranchiyettan.
There are
a couple of scenes which are unnecessary in the plot (I always find this with a
Ranjith movie) like the doctors get together and the song and the ones
involving Achutha Menon’s family. JPs family itself disappears in the 2nd
half and the entire plot begins to revolve on a 85 Cr deal that has many
takers. The deal itself gets sabotaged due to reasons that are unconvincing (Pappan’s
haste to get the money the same day is not very clear) and his demands seem
more driven by the needs of the story than that of the deal.
While
there is big money involved in the entire set of operations, it felt awkward when lakhs and crores are bandied about loosely without any worry. A
future brother-in-law giving 50 Lakhs or a doctor feeling not too bitter about having
to give 25 Lakhs makes the entire flow of money look so simple and insignificant, which is never going to be the case. The movie ends in a nice little finale but I am unable to buy the need for a flashback or Lalu Alex explaining the story to the
people who visit him, looking for JP.
There are a few such pinpricks here and there but at the end of it, I left the theatre content
after watching watching a well-crafted movie – something that Ranjith has a
made a habit in his second innings. In his works, he represents a film maker restoring the glory of the 80s in a more traditional style (reminiscent partly of the Sreenivasan film of thought) unlike the newer crop of directors that we have seen lately. This is August Cinema’s second production
after Urumi and we hope to see more interesting stuff from it…
***Incidentally,
Shaji Natesan (the third person behind August Cinema along with Prithviraj and
Santosh Sivan) plays a cameo in the movie as the NRI who buys the mall
eventually…
